Shou Jie Eng



Shou Jie Eng (he/him) is a writer and architectural designer, whose work addresses the spatial, material, and embodied narratives that are present in histories of labour and cultures of craft. Originally from Singapore, he runs Left Field Projects, a multi-disciplinary design practice located in Hartford, Connecticut. He received his MArch from the Rhode Island School of Design.

His writing has appeared or is forthcoming in Bennington Review, Harvard Review, Jet Fuel Review, The Los Angeles Review, the anthology New Singapore Poetries (Gaudy Boy), and elsewhere. In 2025, he placed on the list of commendations for the Gregory Djanikian Scholarships at The Adroit Journal, and his chapbook, We Carry These Bones to Market, was selected as a finalist for the Helena Whitehill Book Award by Tupelo Press.

Alongside his practice, Shou Jie is a Critic at the Rhode Island School of Design, where he teaches courses on architectural drawing and other representational topics.


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Left Field Projects
RISD Architecture

Journals and Magazines

Bennington Review: Two ‘Building Codes’ (forthcoming)

Harvard Review: ‘On Subjectivity (Springfield, Massachusetts)’

Tinderbox Poetry Journal: ‘Wet Season: Singapore // New England’

Posit: ‘Animal Geometries’ & three other poems

Jet Fuel Review: ‘Mnemonic: Clothing’ and ‘Mnemonic: Cartography’

The Emerson Review: ‘Cold Season Diptychs: New England // Singapore’ 

Grist: ‘Ghazal Across a Series of Construction Lines Marked A' through G'’

Public School Poetry: ‘On Subjectivity’ & three ‘Shoreline Sketches’

Kitchen Table Quarterly: ‘Shoreline Sketch’

The Westchester Review: ‘Jeanne-Claude’ and ‘Extractive Capital, Found in Two Folios at the Whaling Museum’

The Los Angeles Review: ‘On Learning that Chiquita Brands Financed Paramilitary Killings in Colombia’

the tiny journal: ‘Ode to a Small Wood Model, Made Up Over the Weekend’

Common Ground Review: ‘Our Building Remembers’ and ‘EWR’

Cathexis Northwest: ‘Lay Like Rope Across the Deck, Stranded’

SOFTBLOW: ‘Four Divers’

Tupelo Quarterly: ‘Four Divers’ (with an introduction by Seth Brady Tucker)

Speculative Nonfiction: ‘Hopkins House Condominium Association’

The Ekphrastic Review: ‘Three Ghosts’


Anthologies

New Singapore Poetries (New York, NY: Gaudy Boy)

The Earth Of: Writing Through a Time of Rupture
(Averill Park, NY: Arts Letters & Numbers)

Urgency Reader 2
(Providence, RI: Queer.Archive. Work)

Ritual and Capital
(New York, NY: Wendy’s Subway and Bard Graduate Centre)


Essays

Public School Poetry: ‘On three poems by Alison Swan’

CARTHA Magazine: ‘Christine’s Shining Stones’ (available as pdf)

Paprika!: ‘Simultanaeity in the City of Ladies’

Paprika!: ‘Disciplinary Candy’